Difference between revisions of "Hosting a show on KDHX: Scripting and Tips"

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==Overview==
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The most critical elements to preparing your script and idea for a radio show on KDHX, are described in detail in the following section of this document.
  
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==Critical Elements for Radio Programs on KDHX==
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The elements below detail the basic structure of music show announcing.
  
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The most critical elements to preparing your script and idea for a radio show on KDHX, are described in detail in the following section of this document. This assumes that you
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===Introduction===
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are proposing a music-focused radio show. If not, we'll want to discuss your ideas in more detail before proceeding to the demo scripting stage. Please e-mail a short description of
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Set up the show, introducing the types of music you'll be playing, what you call the show, how you refer to yourself as host and how long you'll be on the air.
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what you are wanting to do, and we’ll reply with revised instructions.
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:- ''ex. "I'm Steve and I’m here every Saturday from noon til 2 with this program, ‘the new show’ which features all the new music that’s fit to hear."''
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Remember, our station’s format varies from show to show, so it is important to catch the listener up and prepare them for what they will be hearing now.
  
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==Critical Elements for Radio Programs on KDHX==
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===ID, ID, ID===
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Elements A-F below detail the basic structure of music show announcing. There are many ways of going in and out of these elements, but they are the kind of thing the programming committee is listening for in particular when reviewing demos. They want to hear good radio mechanics in addition to thoughtful musical programming.
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Whenever you turn on the mic, follow up with all the necessary IDs.
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:- ''"you're tuned in to 88 1 KDHX, St. Louis, St. Louis' own independent, listener-supported radio station. My name is DJ-Joe, and the show is called X. And now, we're going to hear from...."''
  
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*A. Introduction: Setup the show, introducing the types of music you'll play, what you call the show, how you refer to yourself as host, how long you'll be on the air.
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===Forecasting (Forward-announcing and teasing)===
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e.g.: "I'm Steve, and I’m here every Saturday from noon til 2 with this program, ‘the new show’ which features all the new music that’s fit to hear."
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Follow the introduction with a bit of '''forecasting''' and then ID and set up the song you are playing first.
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Remember, our station’s format varies from show to show, so it is important to catch up the listener and prepare them for what they will be hearing now.
+
  
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*B. ID, ID, ID: Whenever you turn on the mic, follow up with all the necessary IDs - "you're in tune to 88 1 KDHX, St. Louis. Independent Music Plays Here. My name is DJ-Joe, and the
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'''Forecasting''' is a brief mention of the artists that you will feature later on in the program, without giving away the specifics. This essentially '' 'hooks' '' the listener.
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show is called X. It’s 10:35 in the St. Louis area, 45 degrees currently, & today's high will be in the mid 60s. And now, we're going to hear from...."
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:- ex. ''"In this week's program, we'll hear from Joe Schmoe, the Brothers Green and Joss Stone, who will be performing at the Live on the Levee series this Friday at 8 pm, but we're going to start things off with X ..."''
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Time and temp is most useful in morning drive, and a key element in those programs, but is less critical at other day parts. Anytime you talk weather, limit it to the next 12-24
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hours in 10 seconds or less. Don’t linger on obvious or visual weather, aka “wow it’s really raining out there. Hope you have your umbrella. I didn’t and I got soaked.” (It might not
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be raining 10 blocks away.)
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*C. Forecasting (Forward-announcing and teasing): Follow the introduction with a bit of forecasting and then specifically ID and setup the song you're playing first. Forecasting is
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===Create Context===
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a brief mention of artists you will feature later on in the program, without giving away the specifics. This essentially “hooks” the listener.
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Give the listener a little something to think about while you play the next tune. A little bit of specific information goes a long way in pulling in the listener’s attention.
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e.g.: "In this week's program (or "in this next set"), we'll hear from Joe Schmoe, the Brothers Green, and Joss Stone, who will be performing at the Live on the Levee series this
+
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Friday at 8pm, but we're going to start things off with X..."
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*D. Create Context: Give the listener a little something to think about while you play the next tune. A little bit of specific information goes a long way in pulling in the listener’s
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Consider these questions when deciding what to say:
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attention. Consider these questions when deciding what to say: Why are you playing this particular song? Is the artist coming to town anytime soon? Does it connect with
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::- Why are you playing this particular song?
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something else you played? Is there anything notable to mention about the recording process, the players, the lyrics' meaning, etc? Is the artist coming to town anytime soon?
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::- Is the artist coming to town anytime soon?
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Obviously, some of that info might need to be figured out before you talk. Don’t try to give out info or form a thought that you don’t fully have, while on mic.
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::- Does it connect with something else you played?
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Any kind of context setup (preferably very brief and very focused) makes listening to the unfamiliar a more rewarding experience for the listener. Otherwise, we'd just always play
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::- Is there anything notable to mention about the recording process, the players, the meaning of the lyrics, etc?
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the hits/the familiar, which is something we're deliberately trying not to do on KDHX. Try to vary breaks with context so they don’t all sound the same (ex. repetition: “That was
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::- Is the artist coming to town anytime soon?
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artist/song/album/label/year, and before that was artist/song/album/label/year).
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*E. Back Announce: This is a really specific and critical approach to telling listeners what they've just heard – and it MUST be in reverse order. Consider that typical listeners are in a
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Some of that information might need to be thought through before you begin talking. Don’t try to give out information or formulate a thought that you don’t have fully constructed while on mic.
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passive mode, tuning in and out every 15 minutes or so. Give them the info in reverse order of the playlist to keep them up to speed with what you're talking about and what
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was heard last, in between, and then first: e.g. "We just heard from Joss Stone with the song X, and before that we heard X, and we started the set with X."
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If you forward-announced a song, you don’t need to back-announce it. Don’t backannounce more than 2-3 artists tops, as listeners won’t remember more than that. You
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can refer the listener to your playlist online for tunes older than that.
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*F. Programming: A key element of song selection is what we refer to as "center lane programming" - playing something that will connect with the audience out of familiarity
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Any kind of context setup, preferably one that is very brief and very focused, makes listening to the unfamiliar a more rewarding experience for the listener. Otherwise, we'd just always play the hits and the familiar, which is something we're deliberately trying not to do on KDHX.
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and weaving in and out of that center lane with things you think they might not know, but will like. This is part of your role as "curator" of the genre.
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If you had a blues set, and then a rock set, and then a jam band set, that would be like 3 different shows and more difficult to retain the same listeners. Keep a center lane focus
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throughout the show. If you would want to do a special (tribute, theme, etc.), consider if it would alter your format or what your listeners are used to, too much.
+
  
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*G. Break Length/Brevity: We ask that our DJs go on mic at least every 15 minutes to give station and show ID, and include any other hosting elements and pre-recorded
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Try to vary breaks with context so they don’t all sound the same.
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announcements scheduled to play. Break length for a music show should generally stay at 2 minutes or less.
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:- ex. '''''avoid using repetition''''' - ''“That was artist/song/album/label/year, and before that was artist/song/album/label/year."''
  
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*H. “Personality”: New applicants often want to find ways to insert their personality into their script and demo. While every host sounds different, in demo mode this tends to
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===Back-announce===
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sound forced, especially if nervous during demo production. “Standing out” is not required by the Program Committee, nor should playlists be made particularly eccentric to impress:
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This is a really specific and critical approach to telling listeners what they've just heard – and it MUST be in reverse order.  
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the Committee wants to hear what you most likely would sound like in an average show.  If you’ve read through the steps above and are still unclear on any of them, listen to
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KDHX. Many of the hosts incorporate these aspects into their programming. If you haven’t listened to KDHX much, it’s a good idea to do so anyway, just to get familiar.
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==Next Steps==
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Consider that typical listeners are in a passive mode, tuning in and out every 15 minutes or so. Give them the info in reverse order of the playlist to keep them up to speed with what you're talking about, what was last heard, and what was heard in between.
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To move forward with applying for a show, begin with preparing a script - write out every word you plan to say, complete with a listing of the music selections. Please send it to Content Director, Chris Bay, via cbay[at]kdhx.org. Word, PDF, Google Doc, or email are all acceptable formats. Script length should include 4-5 talking segments including an intro and outro, and 2-3 songs in between. The script can later act as your
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:- ex. ''"We just heard from Joss Stone with the song "Song X," and before that we heard "Song Y" and we started the set with "Song Z."''
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base for demo production.
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If you forward-announced a song, you do not need to back-announce it. Do not back announce more than 2-3 artists tops, as listeners won’t remember more than that.  
  
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After review, we may respond with suggestions for improvement before moving on. If your script is approved, we will set up an appointment to produce the demo.
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You can refer listeners to your online playlist for a complete listing of all songs played during your show.
  
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==Show Name==
+
===Programming===
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A show name is very important, and something that can take some time to think about. It's good to work towards not just one, but even 2 or 3 show names that you feel good
+
A key element of song selection is what is referred to as '''center lane programming''' - playing something that will connect with the audience out of familiarity and weaving in and out of that center lane with things that you think they might not know. This is part of your role as "curator" of the genre.
−
about and think will resonate with listeners online and on air. Here are some things to consider:
+
−
1. Starting out: Think of some of your favorite artists, albums, and songs. Are there any titles, or lyrics, that resonate with you or sum up why you love this genre(s) of
+
−
music?
+
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2. Uniqueness: Is the show name unique? If you do a search online of the name what types of information comes up? Is it a show name that may be easy for people to
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remember?
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3. Representation: The name should conjure up images or thoughts for the listener that best represent the bulk of the music genre(s) you play.
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4. Length: Please keep the name of the show to about 4 words or less 5. Show description: Start thinking about how your show description (for on-air read by the previous DJ, and for web) would interact with the show name. For the
+
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description, avoid listing too many artists and cliche phrases.
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Show name is not a deal-breaker in this initial application process - rather, we just want to make sure applicants understand that an initial application/demo's show name may or
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may not be preferred, and if a show time became available, may still be something that the committee would want to approve before moving ahead with a weekly show. So, it's
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not required that you spend a lot of time thinking about your show name just now, as much as may be something to revisit in the future. (Stick with one show name for the
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script and demo.)
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==Your Demo==
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If you have a blues set, followed by a rock set and then a set by a jam band, that would be like three different shows and make it difficult to retain the same listeners throughout the show.
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When your script has been approved, we will help you make your demo. The demo you submit to the Program Committee should be no more than 10 minutes, and will essentially
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be a montage of your program’s material, as we'll cut the music pieces down to 30 seconds or less, connecting them with cross fades.
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Choose 10 songs that will demonstrate the genre(s) and styles of music you intend to feature on the program, and block them in groups of 2 or 3, based on connection and
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continuity.
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The verbal breaks will be heard intact, and are primarily what the committee is reviewing.
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Keep a '''center lane focus''' throughout the show. If you would want to do a special, a tribute, a theme, etc., then consider how it would alter your format or what your listeners are used to hearing.
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The music clips are samples to give them a feel of the sound of the program. The use of instrumental music “beds” heard under your verbal breaks is optional.
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 +
===Break Length/Brevity===
 +
We ask that our DJs go on mic at least every 15 minutes to give the station and show ID, including any other hosting elements and pre-recorded
 +
announcements that are scheduled to play.
 +
 
 +
'''Break length''' for a music show should generally stay at '''two minutes or less'''.
 +
 
 +
==Show Name==
 +
A show name is very important, and something that can take some time to think about. It is good to work towards not just one, but rather two or three show names that you a) feel good about and b) think will resonate with listeners online and on air.
  
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[[Category:Radio]]
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Here are some things to consider:
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[[Category:Review]]
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:- '''Starting out''': Think of some of your favorite artists, albums and songs. Are there any titles, or lyrics, that resonate with you or sum up why you love this genre(s) of music?
 +
:- '''Uniqueness''': Is the show's name unique? If you do a search online of the show name, what types of information comes up? Is it a show name that will be easy for people to remember?
 +
:- '''Representation''': The show's name should conjure up images or thoughts for the listener that best represent the bulk of the musical genre(s) that you will play.
 +
:- '''Length''': Please keep the name of the show to about four or five words.
 +
:- '''Show description''': Start thinking about how your show's description, used for on-air readings by the previously scheduled DJ and for the web, would interact with the show's name. Avoid listing too many artists and cliche phrases.

Latest revision as of 21:07, 24 April 2023

Overview

The most critical elements to preparing your script and idea for a radio show on KDHX, are described in detail in the following section of this document.

Critical Elements for Radio Programs on KDHX

The elements below detail the basic structure of music show announcing.

Introduction

Set up the show, introducing the types of music you'll be playing, what you call the show, how you refer to yourself as host and how long you'll be on the air.

- ex. "I'm Steve and I’m here every Saturday from noon til 2 with this program, ‘the new show’ which features all the new music that’s fit to hear."

Remember, our station’s format varies from show to show, so it is important to catch the listener up and prepare them for what they will be hearing now.

ID, ID, ID

Whenever you turn on the mic, follow up with all the necessary IDs.

- "you're tuned in to 88 1 KDHX, St. Louis, St. Louis' own independent, listener-supported radio station. My name is DJ-Joe, and the show is called X. And now, we're going to hear from...."

Forecasting (Forward-announcing and teasing)

Follow the introduction with a bit of forecasting and then ID and set up the song you are playing first.

Forecasting is a brief mention of the artists that you will feature later on in the program, without giving away the specifics. This essentially 'hooks' the listener.

- ex. "In this week's program, we'll hear from Joe Schmoe, the Brothers Green and Joss Stone, who will be performing at the Live on the Levee series this Friday at 8 pm, but we're going to start things off with X ..."

Create Context

Give the listener a little something to think about while you play the next tune. A little bit of specific information goes a long way in pulling in the listener’s attention.

Consider these questions when deciding what to say:

- Why are you playing this particular song?
- Is the artist coming to town anytime soon?
- Does it connect with something else you played?
- Is there anything notable to mention about the recording process, the players, the meaning of the lyrics, etc?
- Is the artist coming to town anytime soon?

Some of that information might need to be thought through before you begin talking. Don’t try to give out information or formulate a thought that you don’t have fully constructed while on mic.

Any kind of context setup, preferably one that is very brief and very focused, makes listening to the unfamiliar a more rewarding experience for the listener. Otherwise, we'd just always play the hits and the familiar, which is something we're deliberately trying not to do on KDHX.

Try to vary breaks with context so they don’t all sound the same.

- ex. avoid using repetition - “That was artist/song/album/label/year, and before that was artist/song/album/label/year."

Back-announce

This is a really specific and critical approach to telling listeners what they've just heard – and it MUST be in reverse order.

Consider that typical listeners are in a passive mode, tuning in and out every 15 minutes or so. Give them the info in reverse order of the playlist to keep them up to speed with what you're talking about, what was last heard, and what was heard in between.

- ex. "We just heard from Joss Stone with the song "Song X," and before that we heard "Song Y" and we started the set with "Song Z."

If you forward-announced a song, you do not need to back-announce it. Do not back announce more than 2-3 artists tops, as listeners won’t remember more than that.

You can refer listeners to your online playlist for a complete listing of all songs played during your show.

Programming

A key element of song selection is what is referred to as center lane programming - playing something that will connect with the audience out of familiarity and weaving in and out of that center lane with things that you think they might not know. This is part of your role as "curator" of the genre.

If you have a blues set, followed by a rock set and then a set by a jam band, that would be like three different shows and make it difficult to retain the same listeners throughout the show.

Keep a center lane focus throughout the show. If you would want to do a special, a tribute, a theme, etc., then consider how it would alter your format or what your listeners are used to hearing.

Break Length/Brevity

We ask that our DJs go on mic at least every 15 minutes to give the station and show ID, including any other hosting elements and pre-recorded announcements that are scheduled to play.

Break length for a music show should generally stay at two minutes or less.

Show Name

A show name is very important, and something that can take some time to think about. It is good to work towards not just one, but rather two or three show names that you a) feel good about and b) think will resonate with listeners online and on air.

Here are some things to consider:

- Starting out: Think of some of your favorite artists, albums and songs. Are there any titles, or lyrics, that resonate with you or sum up why you love this genre(s) of music?
- Uniqueness: Is the show's name unique? If you do a search online of the show name, what types of information comes up? Is it a show name that will be easy for people to remember?
- Representation: The show's name should conjure up images or thoughts for the listener that best represent the bulk of the musical genre(s) that you will play.
- Length: Please keep the name of the show to about four or five words.
- Show description: Start thinking about how your show's description, used for on-air readings by the previously scheduled DJ and for the web, would interact with the show's name. Avoid listing too many artists and cliche phrases.
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