Difference between revisions of "Talk:Live Engineer Checklist"
From KDHX Production
(→3. Greet performers and entourage) |
(→4. Help to orient the performers to our studio) |
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===4. Help to orient the performers to our studio=== | ===4. Help to orient the performers to our studio=== | ||
− | + | :- Show them the available backline and drum kit, as well as the rear building entry for load-in. | |
− | + | :- Explain the difference between the performance vs. recording studio ''(ex. live, no overdubs, etc.)'' | |
− | + | :- Discuss the material to be performed - 3 songs, preferably originals or public domain, as we will not be able to post royalty bound material in our online archive. (Note - We may air it, but will not post video or audio to YouTube or SoundCloud) | |
− | + | :- Explain our "[[wikipedia:Proscenium|proscenium]]" and determine an ideal setup for both audio and video capture. Allowing the artists to turn into semi-circle is acceptable, but do not let them close the circle. | |
===5. Prepare inputs=== | ===5. Prepare inputs=== |
Revision as of 21:28, 23 February 2015
Contents
Pre-production
1. Claim the Session in Basecamp
Review Using Basecamp: Live In Studio Performances for more detail about how we use Basecamp.
2. Research the band
- - Preview their music online, using Allmusic.com, Amazon.com, Grooveshark.com, Soundcloud.com, etc., or using the KDHX music library
- - Read the Input List posted in Basecamp
- - Learn the names of the musicians and the instruments that they play, if possible.
3. Greet performers and entourage
- - Arrive prior to the artists and prepare the studio. (Try not to use too much gear, be ready to make changes and be flexible.)
- - Thank the artists for performing at KDHX.
- - Direct them all to the performance studio and the observation lounge.
- - Explain our hospitality area, (i.e., coffee, tea, water, soda machine, etc.)
- - Point out the bathrooms.
4. Help to orient the performers to our studio
- - Show them the available backline and drum kit, as well as the rear building entry for load-in.
- - Explain the difference between the performance vs. recording studio (ex. live, no overdubs, etc.)
- - Discuss the material to be performed - 3 songs, preferably originals or public domain, as we will not be able to post royalty bound material in our online archive. (Note - We may air it, but will not post video or audio to YouTube or SoundCloud)
- - Explain our "proscenium" and determine an ideal setup for both audio and video capture. Allowing the artists to turn into semi-circle is acceptable, but do not let them close the circle.
5. Prepare inputs
- Mics for everything
- DIs as possible (bass, synths, mixers, gadgets)
- Determine who will be primary spokesperson
- Line check each mic and input, adjusting mic placement, pre-amp, and EQ as needed
- Discuss monitoring – point out monitoring mixer function, which channel is which signal, the onboard ambiance mic, etc
6. Prepare outputs
- Setup recording session in ProTool, creating, labeling, and arming all mono inputs, including stereo inputs for Lexicon effects returns (channels 29/30) and board mix (patched to 31/32 via submixes 3 and 4)
- Setup board mix CDRecorder for backup capture
- Run at least one song for mix / soundcheck
PRODUCTION
Ready Recording / Air DJ / Talent
- After DJ conference, give standby timing for performers
- Begin recording playback (prior to session start cue)
- Monitor performance, recording and levels throughout
- If pre-record, use red light switch (on wall in mix studio)
- During interview segments, remove FX from audio and reset gains/faders to maintain broadcast 0 output.
- Stay alert – alterations are required constantly
POST-PRODUCTION
Wrap Session with Artist
- Request that they sign our release form (File:KDHX Production Release 2012-13v3.pdf), w/accurate spelling on song titles, contact info re: obtaining follow up permissions for non-broadcast uses
- Thank them for performing at KDHX
- Generate a text file of session details (song titles & volunteer staffing), referencing the release form
Author (cut/edit) Audio for CD *
- Finalize CD and label it: Band Name, Date, and “Board Master”
- Mount “authoring” drive, and setup ProTools session, import board master audio
- Cut into tracks, removing non-broadcast material, and concentrating on accurate beginnings for each segment (intro, song, interview, song, etc)
- Export CD-ready AIF files to authoring drive within the session folder
- Use Toast to burn CD copies for artist(s), DJ, and archive
- Print text file for DJ and band CD copies
- Create CD envelope, deposit board master and labeled cut CD: Band Name, Date, Total Run Time and # of tracks.
Publish Audio
- Convert tracks to mp3 in iTunes as shown here
- Upload set to SoundCloud, and add metadata
- (If video was shot) convert tracks to 48k AIF in iTunes, and move (with a copy of the text file) to the “production” server’s “transfer” folder
NOTE: if you are not able to finish the authoring/mastering, CD burns, and SoundCloud publishing within 24 hours of the session – due to need for remix, other time constraints, or whatever – please message Andy, Chris Bay (re:web article publishing), Nick Aquisto (re: band management & DJ contact) about it. Please send a comment on the milestone that 1.) it will be delayed, and 2.) when you anticipate being able to complete that work. Thanks!